smallgayjew: (history boys)
Although he did spend an extra day (or two) in Milliways, Posner eventually makes his way home, still beaming, hoping he doesn't smell like champagne. His parents are beyond proud. Even his uncle claps him on the shoulder and says how proud he is.

They have breakfast first, but almost immediately after there is a phone call from the school. Felix, having already heard from some of the other boys, is eager to have news of all the rest. There's to be a celebration of sorts at the school in the afternoon, and Posner hops on his bicycle to head over.

There's more champagne, of course, in little, plastic cups. Posner is hugged more than he thinks he's been since his bar mitzvah, perhaps more than that even.

Felix is incredibly pleased, wandering about the room, refilling glasses at random. "Splendid news! Posner a scholarship, Dakin an exhibition and places for everyone else. It's more than one could have hoped for. Irwin, you are to be congratulated, a remarkable achievement. And you too, Dorothy, of course," he adds to Mrs. Lintott as an afterthought, "who laid the foundation."

She pulls him into conversation, then, and Posner loses track of her, drawn into the others' celebration.

They all stay for a while, lingering at the school as though they're reluctant to leave. Posner isn't sure where the others end up, but he suspects Dakin's whereabouts at least. He stops briefly by Hector's room, but the man isn't there, so he goes to see Mrs. Lintott instead. She's solid. She's safe.

He should say goodbye to Irwin, he supposes, but he doesn't want to intrude on anything (Dakin) he may be busy with.

Eventually, they all filter out into the courtyard, talking of their plans, giddy with success.

"I might try the army," Lockwood says, and Timms bursts into laughter.

"You? You're a shambles."

"No, but they put you through college apparently. Your fees and everything."

"Yeah, provided you kill people afterwards," Akthar offers

"We won't go to war again," Lockwood predicts. "Who's there to fight?"

"I don't know about a career," Scripps says, deadpan. "I've got to get fucking out of the way first."

Posner is...relatively certain this is a joke.

"That goes on," Crowther says with a grin, to which Posner smirkily responds, "Or doesn't."

And then Dakin comes jogging up behind, motorbike helmet in hand.
smallgayjew: (recitation)
Posner is still up in his room, combing his hair, getting ready for the day, when he hears his father's voice come up the stairs.

"David!"

He's been trying so very hard not to rush to check the post every morning, not to camp out by the front door until the letters are pushed through the mail slot. But it's that time of the morning, and he can think of no other reason his dad would be calling him so urgently, so he thunders down the stairs and snatches the letter his father is holding.

He can't bear to open it with his parents hovering over him, so he makes a quick escape into his father's study, closing the door behind him.
smallgayjew: (head in arms)
The attitude when they climb back into the van is much more subdued. Posner settles into the back seat. He wants to ask how the others think they did. He wants to know if they feel as odd about the whole experience as he does.

He wants to know that they will all still be together come autumn.
smallgayjew: (magdalen)
It's his best suit, and Posner is very aware that it is better than a lot of his classmates'. His father was a furrier rather than a tailor, but the career still had certain perks.

Still, when he sees some of the other boys there for interviews, the public school boys, the boys whose fathers and brothers and uncles and grandfathers went to Oxford, probably even to Magdalen, he feels more than he ever has before the distance between them. He and Akthar have never exactly been close, but he sticks to Akthar's side today as much as he can.

Once the door closes behind him, though, and he finds himself facing a room full of dons, he's all alone. He tries to remember all the advice he's gotten--from Irwin, from Hector, from Totty, from Moist--but he's sure he forgets some key points he meant to talk about or topics he should have avoided.

When he leaves the room, he feels...numb. Part of him thinks he did well. Part of him has no idea how he did. Part of him still thinks this must be a dream.

"They liked my Hitler answer," he tells Akthar as they stroll through the grounds afterward. "Praised what they called my 'sense of detachment.'" Thank you, Irwin.

After that, it's easier to let it slip from his mind, at least for a little while, to take in the grounds instead, noticing things he hadn't when he was here with Moist.

"It's like a stately home," he observes. "My parents would love it."

So does he, to be fair.

***

It is about four miles to the bogs. He wouldn't mind if it weren't for the fact that all the boys that he passes on his way there are so...posh. So not Sheffield. So not Cutlers.

Their manners are atrocious. They treat the college servants like secondhand citizens. They behave as though they deserve to be here, and it only serves to make Posner feel that much more keenly that he doesn't belong here. As much as he wants to be here, as much as he sometimes believes he will be happy here, it isn't where he belongs.

He resolves right then to become the sort of person who does belong here.

He also resolves never to become like the public school boys. He isn't proud of coming from Sheffield, but he promises himself never to forget that he does.



[ooc: All dialogue is from the Fox Searchlights film The History Boys.]
smallgayjew: (trio)
It's always odd to be at school and out of uniform, even more so to be out of uniform and yet still wearing a jacket and tie. Posner carries an overnight bag with him as they file out the front doors. He supposes he'll get a real idea of what student life is meant to be like this time, dorms and meals and all.

"Hope they don't mind the trainers," says Lockwood in front of him. "They're all I've got."

"It's not an examination in footwear," Timms opines.

"Somebody told me when you go to the bogs, it's about four miles," Posner offers, opening the door to one of Cutlers' ridiculously un-posh vans. (He doesn't actually speak from experience. He and Moist didn't make it quite that far.)

"Listen," Timms says from his place by the other van. "Do you want to go to Oxford, or do you want to go somewhere with a shit degree that has toilets en suite?"

"What I say," says Rudge, "is if they don't like me, then fuck 'em."

"Oh, Peter, I wish I had your philosophy," Timms says as Crowther shuffles him into the van.

"What'll you do?" Scripps asks Dakin. "Flutter the eyelashes as usual?"



[ooc: Opening dialogue comes from the Fox Searchlight film The History Boys.]
smallgayjew: (revising)
The day has been so long in coming that Posner can't quite believe it's actually here. He wakes up much earlier than he needs, and he can't help sitting down with his books, going over a few things just one last time. When he can't put it off any longer, he heads downstairs, deciding to forgo breakfast all together. Just the thought of eating makes him nauseated. His mother fusses, and his father sits nervously, fiddling with his spoon. In the end he gets a long hug from one and an awkward one from the other, and even his uncle calls out, "Good luck!" as he heads out the door.

Both he and Scripps are uncharacteristically quiet on the ride into school. Posner doesn't even bring his Walkman.

When they arrive, the auditorium has been cleared out except for eight desks in two rows, a table set up on the stage in front. They sit, exchanging nervous smiles, shedding their jackets, several of them already rolling up their sleeves. Before Posner even has time to settle in, the exams are handed out and Mrs. Lintott is telling them to begin. Seconds later, Posner hears a soft, "...shit," from Rudge just behind him.

He silently echoes the sentiment.

For the first few minutes, all Posner can think about is the ticking of the clock. For a brief moment, he stares at the first essay, and the words swim on the page, fuzzy and indistinct, and he wonders if it mightn't be in a completely different language, alien and unfamiliar.

And then it settles into coherence, and he sets pen to paper.

And then it's over.

The exams are gathered, and David takes a deep breath. He's made it through, and he' s done his best, done what he believes he needed to in order to get through, to stand out.

He's annoyed with himself and with the system, but he doesn't regret it. He can't. Not if it gets him into Oxford.

There's a series of sighs rippling across the room as they all stand, gathering their things, slinging jackets over shoulders or pulling them back on.

In front of him, Timms is telling Totty, "Bit hit or miss...Miss."

Posner pulls a face as he passes her. "I was so nice about Hitler," he admits. "A much misunderstood man."

And behind him as he reaches the exit, he hears Akthar's voice, "Queen Elizabeth, Miss. Less remarkable for her abilities then the fact that, unlike so many of her sisters, she got a chance to exercise them."

Mrs. Lintott's, "That's the stuff," is lost in Posner's musing that 'singing the praises of the Empire' is not too far off as a description.

He suspects neither of them will tell their parents what they wrote about.


[ooc: All dialogue comes from the Fox Searchlight film The History Boys.]
smallgayjew: (magdalen)
When they finally pull into the station at Oxford, David leads the way off the train and out of the station. It's about a mile to Magdalen from there, so they find the bus that will take them to the college, and a few minutes later, they're stepping off between Magdalen Tower and the Botanic Gardens.

David is grinning as he steps off the bus. He can't help thinking that there's actually a possibility this may one day be his home.
smallgayjew: (sweet boy)
David had come into Milliways from just outside the library, so that's where he and Moist come out.

"The train station isn't far from here. We should be fine walking."

And he's fairly certain his bike will be okay outside the library until they get back.
smallgayjew: (the thing is...)
Posner is Hector’s boy.

He thinks.

Most of the time.

But he’s more and more coming to enjoy Irwin for company, for advice, for conversation. Irwin understands him on a level he doesn’t think Hector ever could. He’s a friend as much as a teacher.

Most of the time.

So it’s for Hector that Posner croons out, ‘Sing as We Go,’ but it’s Irwin who asks him:

“Do you tell them everything that goes on at school?”

“He’s old, my father,” Posner says thoughtfully. “He’s interested. I just said the Holocaust was a historical fact like other historical facts. It was my uncle who hit me.” The ice in Milliways had prevented most of the bruise, but there’s still a faint discoloration to his cheek.

Irwin frowns, the expression more teacher than friend. “I’m sorry. It was my fault. I was too… dispassionate, I suppose. The Holocaust is not yet an abstract question. Though in time, of course, it will be.”

He pauses, and when he speaks again, it’s as a friend, Posner thinks. “No more singing, too, I gather?”

That was the worst of it, really. The letter his father had written the headmaster was strongly influenced by his uncle, practically co-written. Posner didn’t mind the anger over the Holocaust. But this went too far. It was something he didn’t want to give up, didn’t see why he should.

“Not hymns,” he says, then smiles just enough to let Irwin know he’s joking as he adds, “They’re fine with Barbra Streisand.”

He pauses as well, and when he finally asks what’s been on his mind, he realizes that Irwin’s not the only one who slips back and forth between friendship and something more appropriate.

“Sir, sorry to keep on about it, but if the Holocaust does come up…”

“At home?” Irwin asks, clearly unprepared to answer that particular dilemma.

“No, as a question.”

“Surprise them,” Irwin says. “You’re Jewish. You can get away with a lot more than the other candidates. Equivalent would be Akthar singing the praises of empire. But…say what you think.”

He isn’t sure what he thinks. That’s the problem. Well, that and…

“They don’t send your papers home?”


[ooc: All dialogue is from Alan Bennett's play The History Boys.]
smallgayjew: (head in arms)
If he’s honest with himself, he knew this was going to happen, but he doesn’t see a way he could have avoided it.

Every day, after dinner, his father and his uncle retire to the parlour, and his mother brings them tea. And every day he sits with them long enough for his father to ask what he did at school that day.

It’s not always an easy question to answer succinctly, but his father is always so interested. He always genuinely wants to know, and Posner knows he doesn’t have much else to occupy himself with, so he indulges him.

It’s the same today as on any other day.

“What did you do at school today, David?” he asks, and Posner pauses before answering.

It’s too much to explain the complicated politics behind Irwin and Hector sharing a class, so he says, “We talked about the Holocaust.”

Tension radiates from his uncle, and even his mother hesitates in adding sugar to his father’s tea.

“And what did you say about this, David?” his father asks, a thoughtful frown on his face.

“Well…Irwin reckons it’s a historical fact like other historical facts.”

He shouldn’t have said it. He should have lied, though lying to his parents always makes him feel a bit ill. He should have known what would come next.

The resounding crack shocks him almost more than the feel of the back of his uncle’s hand hitting his cheek, and for a long moment, there is silence.

“Never again, David.” It’s his uncle who speaks this time. “Never again repeat such filth in this house. This is what you’re going to school for? To learn such lies?”

But Posner doesn’t stay to hear the rest of his uncle’s tirade. He’s on his feet and racing up to his room before he says any more, before he really angers someone. His cheek stings and he could almost swear he feels the bruise forming, but he doesn’t stop at the bathroom to get something for the pain. He just runs to his room and shuts the door behind him, throwing himself onto the bed.

He can hear their voices below: his uncle’s loud, angry and demanding, his father’s softer, calming.

A few minutes later, his door opens, and he thinks it will be his mother, bringing him ice and perhaps some tea.

His bed dips with the weight of someone sitting, and a cool, wet cloth is placed against his cheek, but it is his father’s voice that speaks.

“He shouldn’t have done that. I’m sorry.”

Posner wants to say that he has no reason to be sorry, that he’s not the one who hit Posner, but he says nothing, afraid of hearing his own voice crack.

A hand is placed lightly on his back, and they both sit, saying nothing. Posner can still hear his uncle fuming below and his mother trying to calm him.

When the noise settles down, his father speaks again.

“You must never forget who you are, David. And you must never let them make you hide it.”

Posner still says nothing, and after a moment, his father pats his shoulder lightly.

He feels the weight removed from his bed, and he hears the door shut behind him.

And he wishes, not for the first time, that he were anyone other than who he is.
smallgayjew: (Default)
What mood is that, sir? )

[ooc: All dialogue is from the Fox Searchlight film The History Boys.]
smallgayjew: (in class)
It's Hector's classroom, but it isn't Hector's class. They're sat in a circle, and that is not Hector's formation. It's Irwin's.

Collaboration is likely too strong, too cohesive a word for what they're doing, and that uncertainty, that devisiveness bleeds into the demeanor of the boys.

Hector's boys.

Irwin's boys.

(Posner isn't sure where he falls anymore.)

"Would you like to start?" Irwin asks, accepting his place as the visitor but also stealing the opening, offering the start as though it were his to offer.

"I don't mind," Hector responds, nonchalant, falsely casual.

There's a moment's awkward silence.

"How do you normally start? It is your lesson. General Studies." Posner has to wonder if Irwin knows that the title of the class is itself a dig in Hector's direction.

"The boys decide. Ask them." It's true, yes, but it's also Hector being sullen, sulking and refusing to play.

In apparent exasperation, Irwin turns to the boys, then. "Anybody?"
smallgayjew: (pouty)
Unembraced )



[ooc: All dialogue is from the Fox Searchlights film The History Boys or the Alan Bennett play of the same name.]
smallgayjew: (trio)
Do Jews have monks? )


[ooc: All dialogue is from the Fox Searchlights film The History Boys or the Alan Bennett play of the same name.]
smallgayjew: (small gay jew)
Do you look at your life, sir? )


[ooc: All dialogue comes from the Fox Searchlight film The History Boys or the Alan Bennett play of the same name.]
smallgayjew: (bewitched)
The Kitty )




[ooc: All dialogue comes from the Fox Searchlight film The History Boys or the play of the same name by Alan Bennett.]
smallgayjew: (concerned)
Posner is by no means proud of his hometown. He thinks coming from Sheffield is something of a mark of shame. But he figured that it had to be better for Sameth than being stuck in the bar all the time (even if he was of the opinion that Milliways was about a hundred times more interesting than Sheffield.

His door does occasionally show up somewhere odd like the loo next to Mrs. Lintott's room or exit from the changing room, but for the most part it tends to open in his closet, and that's where it is today.

He's already apologizing as he leads Sam through. "It's just a school day. I don't think it'll be much fun for you..."
smallgayjew: (scripps - changing room)
“He's a right prat, you know,” Scripps says as they pick up their bikes to ride home after school one day.

“I know,” Posner answers, not needing to ask whom Scripps is talking about. There's only ever one 'he' in these conversations. “But he's a beautiful prat.”

“As prats go,” Scripps remarks, smirking, mounting his bike to head off home.

***

“You'll only make his head bigger. It's a wonder he fits in the classroom as it is,” Scripps mutters as Posner leans against his locker, watching Dakin walk off down the corridor.

“He needs someone to adore him.”

“He's got Fiona for that.”

“Fiona doesn't adore him,” Posner argues. “She's just...waiting for something better to come along.”

“So is he,” Scripps points out.

Posner nods and turns to pull a heavy volume on Churchill from his locker. “I know it isn't me. Don't worry.”

***

“'Love, nightmare-like, lies heavy on my chest,
And weaves itself into my midnight slumbers!'” Scripps says as they walk their bikes into the courtyard before school.

“'An act of love that fails is just as much a part of the divine life as an act of love that succeeds, for love is measured by fullness, not by reception,'” Posner counters.

“'My love is of a birth as rare
As ‘tis for object strange and high:
It was begotten by Despair
Upon Impossibility,'” Scripps tries on his turn, but Posner just comes back with, “'Let no one who loves be called unhappy. Even love unreturned has its rainbow.'”

“You're hopeless,” Scripps concludes.

“You wish.”



[ooc: Quotes are from William S. Gilbert, Harold Lokes, Andrew Marvell, and James Matthew Barrie, respectively.]
smallgayjew: (Default)
What's truth got to do with anything? )


[ooc: All dialogue is from the Fox Searchlights film The History Boys.]
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